Fine Print: Andy Warhol, Edie Sedgwick and Chuck Wein, New York City, 1965 George Rodger

Fine Print: Andy Warhol, Edie Sedgwick and Chuck Wein, New York City, 1965 George RodgerBurt Glinn had a gift for bottling the essense of counter culture. His pictures captured the style and rhythm of the time from the 1950s Beatniks to the 1960s hippie movement. Here, three of the 60's great artisitic playersAndy Warhol with Edie Segwick and Chuck Weinare photographed on a New York City sidewalk in 1965.

” The color is also special in this setting “probably because of reflection from the sand

to photograph the city’s ethnic minorities and explore how Powell’s words had affected communities in his old constituency

It was a pivotal moment both in French photography and in Depardon’s career

“The project was my desire to look deeply into the lives of those around me who I have known for over ten years and who live in my building

Cristina De Middel and Bruno Morais have spent 3 years following the path of Esù and building a document that comes as a reaction to the advance of Evangelical churches across Africa and South America that are challenging the survival of an endangered cultural heritage adding some substantial input to the very much needed non-official version of History

"In 2010 Peter Marlow undertook ‘a kind of reflective pilgrimage’

artfully composed and illuminated objects – in characteristically Swiss style – at the Zurich School of Art and Design

his photographs express a desire to observe

and reveal how violence and hardship weave through many aspects of daily existence in these two sprawling cities

Dolly Parton look-alike competitions

Indiana—at the time a radical approach to documenting a celebrity

The actions of young people